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MUSIC CENSORSHIP, 1950 till now 1952 The Weavers are boycotted because of the radical political convictions and relationship of a few individuals. In 1953 six provinces in South Carolina pass enactment prohibiting jukebox activity whenever close enough to hear a congregation. During 1954 Stephen Foster tunes are altered for radio to evacuate words, for example, "massa" and "darky." For radio airplay the apparent medication reference "I get no kick from cocaine," is changed to "I get scent from Spain." in Cole Porter's great "I Get a Kick out of you." In 1955 Former radio disk jockey Pat Boone starts a vocation by discharging "sanitized" renditions of dark R&B hits. Boone's adaptations of these melodies regularly contain altered verses, for example, subbing "drinkin' Coca Cola" for "drinkin' wine" in T-Bone Walker's "Stormy Monday" and "Pretty little Susie is the young lady for me" rather than "Boys, don't you realize what she do to me" in Little Richard's "Tutti Fruitti." During 1956 ABC Radio Network bans Billie Holiday's interpretation of Cole Porter's "Love for Sale" from the entirety of its stations on account of its prostitution subject. Stations keep on playing instrumental forms of the melody. .... The Parks Department in San Antonio, Texas, evacuates all awesome records from jukeboxes situated at city pools, naming it "jumpy, hot stuff" that is inadmissible for teenagers. ... 1957 Producers of the Ed Sullivan Show train cameramen to show Elvis Presley just from the abdomen up on his third and last debut on the program on January seventh. Dreading the impacts of the "hedonistic, inborn rhythms" of awesome music, in March Chicago's Cardinal Stritch bans mainstream music from all Catholic-run schools. ... 1958 The Mutual Broadcasting System drops all awesome records from its system music programs, calling it "distorted, tedious, boisterous music." ... 1962 New York Bishop Burke denies Catholic school understudies from moving to "The Twist." Burke considers R&B music, and its related moves, to be lascivious and un-Christian. 1963 The FBI starts gathering information on society vocalists Phil Ochs. Ochs is one of a few mainstream artists to be followed by the FBI during their professions (Bob Dylan, Jim Morrison, Pete Seeger and Woody Guthrie... ...." ... The Roman Catholic Diocese of Providence restricts "Danny Boy" and other common tunes from being performed during memorial service masses. ... Following the September eleventh fear based oppressor assaults, Clear Channel Communications, the biggest proprietor of radio broadcasts in the United States, discharges a rundown of more than 150 "lyrically questionable"songs that stations might need to pull from their playlists. Hardly any tunes depict unequivocal viciousness, yet most have figurative topics that ring a piece excessively near the catastrophes. The rundown, containing music from pretty much every classification in famous music, incorporates Sugar Ray's "Fly," "Jet Airliner" by Steve Miller, Nine Inch Nails'; "Head Like a Hole," AC/DC's "Shoot to Thrill" and "Highway to Hell," Pat Benatar's "Hit Me with Your Best Shot," "Dust in the Wind" by Kansas, Jerry Lee Lewis' "Great Balls of Fire," REM's "It's the End of the World as We Know It," &am p;quot;Only the Good Die Young" by Billy Joel, Dave Matthews Band's "Crash Into Me," "Nowhere to Run" by Martha & the Vandellas, and all melodies by Rage Against The Machine.